Artists in Nakuru have marked World Theatre Day with renewed calls for support, investment, and the revival of theatre spaces, while also highlighting the challenges facing the creative industry.

‎‎Speaking during the celebrations, producer Tony Aswani expressed optimism about the future of theatre despite current setbacks.

‎‎He noted that while the event was held outside a formal theatre space, there is hope that performances will soon return to proper stages.

‎‎He emphasized that theatre culture in Nakuru had once been vibrant but has since slowed down. However, he urged residents and stakeholders to support local art, describing it as both a cultural asset and a viable investment opportunity.

‎‎“As artists, we want people to support theatre and take it seriously not just as entertainment, but also as a business,” he said, adding that creatives must continue pushing boundaries despite financial and structural challenges.

Photo credit: MUTHONI WANJIKU/ MTAA WANGU

‎‎Spoken word artist and actor Chotara, who has been in theatre for four years, highlighted the discipline required in the craft. He explained that actors often invest significant time and resources into rehearsals and character development yet still face challenges such as a lack of commitment among some performers and the growing influence of artificial intelligence in creative processes.

‎‎“Actors must remain disciplined and committed. Theatre requires consistency, but many are becoming complacent,” he said, warning that the industry risks slowing down unless artists collaborate and remain dedicated.

Chotara the Poet poses for a photo

Photo credit: MUTHONI WANJIKU/MTAA WANGU

‎‎Dance choreographer Jonathan Mwangi, also known as Munge, highlighted the lack of rehearsal and performance spaces as a significant obstacle. He explained that the closure of key theatre venues has disrupted networks among artists, making collaboration more difficult.

‎‎Similarly, thespian Edwin Mayaka noted that limited public awareness about theatre has made it difficult to attract audiences. Despite this, he remains hopeful, citing a growing number of trained artists entering the field.

Justin Mayaka poses for a photo

Photo credit: MUTHONI WANJIKU / MTAA WANGU

‎‎On her part, production designer Maureen Kyallo described theatre as a transformative space that nurtures growth and creativity. However, she acknowledged challenges such as trust issues with clients and the constant demand for innovation.

‎‎For over a year now, Nakuru Players Theatre has remained inactive, leaving theater enthusiasts with limited options for weekend entertainment.

‎‎However, this lull has opened doors for emerging artists, particularly young creatives, to showcase their talents in alternative venues across Nakuru.

‎‎One such venue is Nakuru Town Hall, which has become a hub for training and performances also Lohana Hall, typically known for hosting South Sudanese events, welcomed few theatrical performance

‎‎Additionally, Baraza Media Lab which has created a consistent home for creatives especially poets to share their art.

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Muthoni Wanjiku